I just did a recent post mortem on a hybrid track I composed/produced called Photosynthesis. In this video, I discuss the various sample libraries used and how I have my session set up. I show each sound element by itself, with and without effects applied and then show how the end product sounds. Other topics in this video include automation as well as side chaining compression to make drum impacts sound larger in the mix.
You can hear the whole track here: https://www.youtube.com/watch?v=ZLsYKFpO3-M This track is currently available for license. As I get more time, I’ll be doing more of these videos to share tricks and tips on audio production. If you have a specific question, I’d love to see how I can help answer it!
Here’s an hybrid ambient track that I did while testing out some new sounds and approaches in my studio.
Getting new libraries and trying out new techniques is always super inspiring. It’s at the heart of what makes hybrid writing so much fun. Almost anything goes! I hope it comes through in the music! For this track I wanted to create some interesting textures that feature a decent amount of movement. I also wanted the orchestration to grow and increase up to a climatic point and then leave the listener’s mood somewhat ambiguous. Does the song resolve on a positive note or is there still some drama hidden below the surface? I hope you enjoy the track! The music is currently available for license.
I’m still doing my day job at SGI as a senior composer/sound designer and freelancing at nights. On the weekends, I fight crime while wearing spandex. It’s a living! Need custom audio for your next project? Get in touch!